Rework, Remix, Mash & Re-use Unit part 2

22 05 2012

Following on from my previous post, I’m still thinking about a “remix” unit for an art class. I’m leaning more towards a still image approach, but am keeping an open mind. The video work of Christian Marclay (“Clocks” info, Telephones video) would be great, but complicated. I’m thinking more about how the combinations of items/images can create new meanings. How do we perceive appropriation? What and how can we “sample?” What and how can we transfer?

We live in such an overcrowded visual culture with advertising, the internet, social media, TV and numerous other experiences. What would be an artist’s intention to sample work? How is it easier or difficult to appropriate work? What are the physical acts involved in creation versus the digital? How are they separate and how can they overlap?

It’s a lot to consider and raises more questions, which I like. So, similar to the tech unit planned, I am leaning towards How can existing works (images/items) be used to create something original?” as a unit question. With the concept I am thinking of including how context and the manner of appropriation is used (i.e. juxtaposition). Naturally, I still need to refine these areas.

Some activities and artists I would include are:

So that’s where I’m at so far.  The title of the unit, “Image Transfer” or “Mashable”. Remember, everything is a remix and Steal Like An Artist.

If you have further ideas/resources for me, please do drop a comment below. I’d appreciate it.




Rework, Remix, Mash & Re-use Unit part 1

9 05 2012

As digital tools transform the way artists find and rework images, the concept of what is fair use—legally as well as artistically—is becoming more complicated 

In the March issue of ARTnews magazine, there was a great article entitled “Copy Right” (read online here). In it they talk about the art of creative re-use. I’ve always wanted to do a remix type of art unit, but have never really had the time to implement it, or had the chance to squeeze it into a year group. That time has come, but in a technology class.

Recently, my co-workers Kim Cofino, Damien Pitter and I had a full day planning session developing new technology units as our “technology as a subject” class moves up from grade 6 & 7 all the way to grade 10. A remix unit was agreed upon, and I immediately remembered the above mentioned article. You see, I’ll be teaching tech again next year to grades 7 & 8, and though this unit would be for grade 10, I’m still thinking how to make it a transdisciplinary unit with my grade 10 art class.

We’re still in the planning phase but we decided to lift the above quote as the unit concept (Digital tools transform the way people find and rework media into original creations). Of course, something like this is also in the works;Intellectual property rights must be respected through the creation of remixed media.” Our unit question might go along something like this:How can existing works be used as building blocks to something creative and original?”

Now, the unit may take more of a video/audio mashup approach, but anything is possible. Which brings me back to the visual arts. As an art teacher, how can I connect and scaffold with this unit? That will be my next post. Stay tuned, and of course, if you have some ideas, drop them in the comments section!

(image credit 1, 2)




Everything is a Remix part 2 (Film)

2 02 2011

Kirby Ferguson just released part 2 of his of his 4 part production, Everything is a Remix. Part 1 tackled music sampling and here in part 2, he looks into “the remix techniques involved in producing films.” Very entertaining, informative and great if you teach film.

Everything is a Remix Part 2 from Kirby Ferguson on Vimeo.




Remix It

25 03 2010

(video link)

Found via here.